Failing to Start: Why We Accept Mediocrity and How to Change
By Michael Stelzner
Published January 4, 2013
Do you accept your lot in life?
Are you afraid of starting something new?
To learn how to accept who we are and how to make a change, I interview Seth Godin for this episode of the Social Media Marketing podcast.
More About This Show
The Social Media Marketing podcast is a show from Social Media Examiner.
It’s designed to help busy marketers and business owners discover what works with social media marketing.
The show format is on-demand talk radio (also known as podcasting).
Seth shares his experiences of having an idea and going for it, even if you think it might fail.
You’ll learn why he thinks everyone should be willing to fail and why art is so important. You’ll also discover how Seth used Kickstarter to fund The Icarus Deception.
Share your feedback, read the show notes and get the links mentioned in this episode below!
Here are some of the things you’ll discover in this show:
The idea behind The Icarus Deception
The idea behind The Icarus Deception was Seth’s manifesto rant that will hopefully shine some light on the revolution that he thinks we are living with right now.
Seth explains how people don’t understand the impact of the Industrial Revolution of 1880–1910. Before 1880, there was no such thing as jobs. The unemployment rate was zero and most people worked on the land or for their family business.
The Industrial Revolution changed this and it also changed government, regulations, school, culture and society. It invented the weekend. We accept all this because it happened before we were born.
You’ll discover why right now we have a new revolution that is replacing the fading industrial age. What’s happening now is that we have a revolution built with the connection we have about ideas, people to people and the ability to reach markets. We’d have never thought back then that one person working by him- or herself anywhere in the world with a laptop could touch a million or a billion people.
When Seth wrote Permission Marketing 12 years ago, he didn’t realize that he was writing about a different way to make connections with people. He believes that it isn’t about Facebook or Twitter, it’s about a passion for doing things that might not work. The industrial age is about polishing things so they do work. It’s the giant gap. Seth wants to teach people to like the idea of doing something that might not work.
Listen to the show to find out more about why it’s connections that create all of the value in business.
Why the commonly told version of the Icarus story is no longer relevant
Seth believes that all myths are true, to the extent that although there are no supernatural beings involved, they’re about us. Myths have developed over thousands of years to talk to human beings about how to be our best selves.
The myth involves Icarus and his father Daedalus stranded on an island. Daedalus fashions some wings for his son and says, “Put these on, but don’t fly too high because if you do, the sun will melt the wax and you will die. But more importantly, don’t fly too low because the mist in the water will get in your wings and you will surely perish.”
Seth explains the reason why the industrialists want us to fly too low is because they benefit from this.
Listen to the show to find out why Seth thinks we are flying too low and what he wants us to do about it.
The meaning of art
Seth shares his definition of art. Art is the work of a human being doing something that has never been done before, that will make a positive impact on somebody else. And also knowing that it might not work.
Listen to the show to find out what kind of person in Seth’s eyes is an artist.
Why most people will never make art
A lot of people aren’t making art because of fear, propaganda and being brainwashed. We are not taught to say, “This might not work,” yet try anyway.
The things that are around us today—like the podcasts we listen to, or the blogs we read, or the brand of computer we would like to buy—none of these things were around a few years ago. This means that the person who chose to do it woke up with the idea, thought it might not work, but chose to do it anyway.
Listen to the show to hear why artists are full of weaknesses and are constantly failing.
Seth’s failings that led him to this point
Seth wrote a book called This Might Work and if you flip it over you will see on the back it says, “This Might Not Work.” The first 3 pages of the other side is a list of things that he completely failed on. If he could go back in time, the only thing he wish he knew at the time is that everything is going to be OK.
Part of what it means to make art is to not bet every penny you have, because you must have enough left to keep playing. The game goes to the person who fails the most, but you don’t get to fail the most if you get thrown out of the game.
It’s about exposing yourself to emotional labor and risk and about connecting with people in a generous way. And it’s not about beating yourself up when you’re wrong. It’s not the wrong of selfishness or the wrong of arrogance, it’s the hubris of good intention.
Seth believes as an artist you don’t need a map, all you need is a compass. He believes that his book is the compass, and with this compass the reader can figure out how to get from A to B. It’s the figuring out that’s the privilege. Failure is not permanent.
Listen to the show to find out the meaning behind the “No For Now.”
The three foundations of art: seeing, making and embracing the blank slate
Seth gives many examples of people who have the ability to see what we can’t. Clive Davis, one of the greatest music producers ever, could tell the difference between someone who is going to become the next Aretha Franklin and someone who wasn’t going to sell any records at all. The way we learn to see is by practicing, predicting and writing it down.
If you want to be really good at viral video, you look at them before they become viral and write down your predictions as to whether they are going to make it or not. Over time you are going to get better at predicting because you are going to see the difference between right and wrong. You are going to see the opportunity and see what others are struggling with.
Most people start with the making and not the seeing. Seth believes that having technique is silly if you don’t know what it is you are trying to do with the technique. Studying a million business projects has helped Seth see, which gives him the incentive to learn how to make.
With regards to the making, when you meet someone who doesn’t know how to change their email settings or doesn’t understand the architecture behind the Internet, this person hasn’t chosen make in their chosen field. Having your hands on the tactics and knowing how to make what’s in your head happen, whether you do it with your own hands or hire someone, is critical. You can’t do art unless you can execute it.
Seth says art is something that hasn’t been done before. So if you’re not comfortable working in a space where there is no one to copy, then you are going to have a very hard time being an artist.
Listen to the show to hear the story of how Jeff Koons knew how to see and just did it.
What “embracing the blank slate” means to entrepreneurs and marketers
Most entrepreneurs are so focused on raising more money than their peers that they try to find all the magical steps. A lot of companies become rigid because of fear. WhatSeth would like to see is people looking forward and thinking it might notwork.
If you find in your organization that it’s OK to end a meeting by saying “This might not work, let’s do it,” then you are on the right path. But if you want to study it until you are sure, then you are an industrialist, who is working in a fading industrial age.
Listen to the show to hear Seth explain which two things you need to combine to make art.
Using Kickstarter to raise funds for The Icarus Deception
Seth shares the strategy behind using Kickstarter to raise funds for The Icarus Deception. He saw what his friend Amanda Palmer had done 6 weeks earlier with Kickstarter, which turned out to be one of the most successful Kickstarter music projects ever. Amanda organized her tribe, raising $1.2 million and caused a ruckus.
It occurred to Seth that a lot of people in the book publishing world would want to see how that might work for a book. He didn’t do it because he needed a way to get his book into the world, he did it because he wanted to make a point to authors about how to organize readers. If you organize your readers, then the publishers understand they have no power.
Once Seth had 4,500 readers organized and 10,000 copies of the book spoken for, all the hard work was done. The publishers then saw this core group ready to go and wanted to take the risk of bringing it to the world. Seth believes that anyone who spends 7 years building an audience like he did can do this.
Everything Seth tries to do is self-referential. He hopes people will take advantage of the birth of the connection economy.
Listen to the show to find out why the goal is to delight your tribe, not to profit.
The main message from The Icarus Deception
Seth explains that if you take the jacket off his book, you will see the sun and a message that he hopes will inspire people. It says, “Fly Closer to the Sun.”
Robin Carlisle asks: “What do you do when you are interviewing an expert and that interview doesn’t go quite the way you thought it was going to go?”
Robin, here’s what you need to do.
Make sure you send your questions ahead of time to the interviewee and check that everything is OK. The critical part is that you need to tell the interviewee who your audience is.
With a simple transaction via email, you can tell him or her what you want to focus on. It helps to negotiate what you are going to talk about. If you do this, it greatly reduces the risk of the conversation going off the deep end.
You’ll always have situations where the person you are interviewing is going to want to talk about something that is off-script. Sometimes it’s OK to follow the flow and go with it, but the easiest way to get back on track is to say something as simple as, “Hey, thanks for that, my next question is …” This is a way to make a smooth transition and keep the conversation on track.